铜镜是我国古代人日常生活中梳装整容的实用品，已有四千多年的悠久历史，各朝各代均有制作。到了水银镜问世以后，逐渐停止了制作。人们喜爱铜镜，不但因它光面能照影，而背面的构思主题更具有艺术的感染力。古代铜镜上有的纹饰的寓意与配置，至今仍有许多解不开的谜

Bronze mirror is a practical product of combing and cosmetic surgery in the daily life of ancient people in our country. it has a long history of more than 4,000 years and has been made in all dynasties and generations. After the mercury mirror came out, it gradually stopped making. People like bronze mirrors, not only because they can take pictures on their smooth surfaces, but also because the conception theme on the back has artistic appeal. The implication and configuration of some decorative patterns on ancient bronze mirrors still have many mysteries that cannot be solved till now.

唐代铜镜的形式，冲破了几千年来传统的圆形模式，出现了菱花形、葵花形、 方亚字形及有柄形等新的镜式；镜钮虽多以圆形为主，但亦有兽形钮、龟形钮、花形钮等；纹饰的内容丰富多彩，各种珍禽异兽、奇花异草、神仙故事都铸于镜背； 纹饰的布局也不再限制与内外两区，出现了跨区、整体高浮雕等多种方法；铸造技法上出现了镀金、贴银、金银平脱、螺钿和宝石镶嵌灯特种新工艺。

The form of the Tang dynasty bronze mirror has broken through the traditional circular pattern for thousands of years, and new mirror patterns such as rhombohedral, sunflower, quadrate and pedunculate have emerged. Although most of the mirror buttons are round, there are also beast - shaped buttons, turtle-shaped buttons, flower-shaped buttons, etc. The contents of the decoration are rich and colorful. all kinds of rare birds and animals, exotic flowers and grasses, fairy stories are cast on the back of the mirror. The layout of ornamentation is no longer restricted to the inner and outer regions, and there are many methods such as cross-region and overall high relief. Special new techniques of gold plating, silver pasting, gold and silver stripping, tomahawk and gem inlaid lamps appeared in the casting technique.

唐代铜镜发展主要是因为当时瓷器已取代铜，铜器衰落，青铜技术都集中到铜镜上，此外还因为当时铜镜作为礼品，广泛用于社会交往。唐代铜镜现存稀缺，有出土的，也有传世的。盛唐以后，以花为主，多为吉祥图案，自由豪放，清新活泼，表现了大唐帝国蓬勃向上的精神面貌。

The development of the Tang dynasty bronze mirror was mainly due to the fact that porcelain had replaced copper at that time and the decline of bronze wares. bronze technology was concentrated on bronze mirrors. in addition, bronze mirrors were widely used in social contacts as gifts at that time. There is a scarcity in the Tang dynasty bronze mirror, some unearthed and some handed down from ancient times. After the prosperous Tang dynasty, flowers dominated, mostly auspicious patterns, were free and bold, fresh and lively, showing the vigorous and upward spirit of the Datang empire.

此铜镜乃河南藏家张先生家传之物，铜镜直径为：22.2cm，重：1.14kg，虽历经千年时光，依然保存完整，纹饰清晰，包浆和锈色自然老道，可见张先生对此物的珍爱程度，作为传世之品，能流传至今，实属难得。从这面铜镜上可以清晰的反映出当时社会的科技水平和社会现象，为后世研究当时那段历史有着非常高的研究价值，并且具有很高的艺术鉴赏价值。现张先生有意转让此面收藏多年的家传之物，望有缘人得知！

This bronze mirror was handed down from the family of Zhang Zhang, a Tibetan family in Henan province. although it has gone through a thousand years, it is still intact, with clear ornamentation and natural and sophisticated coating and rust color. this shows that Mr. Zhang's cherished degree of this object, as a product handed down from generation to generation, is really rare. This bronze mirror can clearly reflect the scientific and technological level and social phenomenon of the society at that time. it has very high research value and high artistic appreciation value for later generations to study that period of history at that time. Now Mr. Zhang intends to transfer the family heirloom that has been collected in this area for many years. I hope people will know it!

藏品名：浅浮雕佛用铜镜

数量：1件

直径：22.2cm

约重：1.14kg

本文所荐藏品现存于珠海宝隆博物馆中，即将参加国际高端拍卖会，市场关注度极高

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地址：广东省珠海市香洲区人民西路777敦煌大厦8楼