他用眼睛抚触着日常，观看着世界，像是不曾看见过似的。一些隐藏的东西在涂抹中被打开，也许是生命的质感，也许是物之性格。总有些东西是你我忽视，或不曾这样认真观察的——角落的，局部的，个体的，团契的。换个视角也许真的会不同。

维格多·阿利卡

Avigdor Arikha

1929-2010

以色列艺术家，1929年出生于罗马尼亚，享年81岁。他是画家、制图员和版画家，后来成为了以色列最重要的当代艺术家之一。早年以抽象艺术享誉画坛。1965年，在他取得巨大成功之时却毅然放弃了这一切，重头再来。他开始将视线仅仅指向可见世界，画风走向写实。并以写生作为自己终身奉行的创作准则，由此而真正树立了其个人的艺术面貌。

“

自述

——阿维格多·阿利卡

当你即兴作画时，需要的条件是你必须从观察对象的趣味中去衡量和协调所有的比例关系，由它开始辐射到整个画面，海浪般的向四周蔓延，一旦你从外部开始就会不准确……我从一个点开始，扩展开来，并不知道最终怎样完成。

”

新到《ARIKHA》画册

数量不多 欲购从速

自画像

self-portrait

Oil on canvas

13岁时，阿利卡被关进了纳粹的集中营，后来他有幸被解救，并于1944年进入以色列的耶路撒冷工艺美术学校接受包豪斯式的现代美术教育，开始用素描描绘那里的残酷生活和犹太人的不幸命运。

20岁时，阿利卡到达向往已久的巴黎，战后流行于西方的抽象表现主义风格对他产生了很大的影响。

self-portrait

Oil on canvas

现实即是一种幻觉，因为它不再延续，这种信念与他后来的艺术精神有极为契合之处，他所关心的是迅速抓住转瞬即逝的真实。

1950年阿利卡来到意大利，对那里湿壁画的研究，使他领悟和获得了局部作画和一气呵成以及留白的意义和技巧。

回到巴黎，阿利卡遇到了在精神上一直给予他有力支持的以色列作家贝克特。

这段时间，他画的都是抽象画，他的作品和标题运用了大量的黑色，完全现代和真正前卫的艺术内容，这得益于贝克特。

self-portrait

Oil on canvas

1965年，阿利卡在卢浮宫看卡拉瓦乔画展时，一种深刻的危机感油然而生，他意识到“我所做的一切都是从绘画到绘画，没有将绘画行为与观看事实联系起来。”

这个画展给他的印象是“我们的文化是风格化的，正如卡拉瓦乔开始在那里工作的罗马一样。”他觉得他所信仰的东西与他在抽象画中所追求的清晰性之间失去了平衡，后者凌驾前者而破坏了它们之间的张力。

既然所画的一切都可以读解成某物，回溯到现实的世界，为何不直接去画现实事物呢？这对他“的确是一个可怕的打击。”于是阿利卡迅速从抽象画转向了写实艺术。

self-portrait

Oil on canvas

他的作品内容全部来自日常生活，他相信任何一件微小的事情都可能具有意义。他认为开始作画就要直接进入状态，就像“听到电话铃，要立即作出反应”，别无选择地服从这种冲动，还要运用正在尝试的新语言和新形式。

一幅画必须一次完成，绝不允许拖到第二天，太长的时间会使手和眼的母题丧失殆尽。由于他有过抽象绘画创作的经历，他的具象绘画便不再像古典绘画那样再现客观世界，而是按照自己的感受方式来表达。

阿利卡作画时似乎没有一个构思的过程，他的感觉总是从一个特定的点开始向外扩散，从一只眼睛、或者一个鼻孔，然后像波浪一样，从这个点漫向四周的海滩。

self-portrait, Nude Torso

Pastel on grey coated paper

33.5 x 25 cm

Philip Huber, Washington, Dc

I985

1970年11月，阿利卡的版画在巴黎与奥登伯格、劳申伯格和约翰斯的联展确立了他写实画家的地位和身份。

尽管他描绘的题材大多取自周围的日常生活，室内窗外的所见之物以及一些为人所不注意的细小的角落，但是他坚信微小的事物同样可以具有大意义。

事实上，阿利卡开拓了西方传统意义上的静物画领域。他的静物题材作品更为注意形的构造，这与他曾经历抽象艺术的阶段有密切关系。

self-portrait with Hand Up

Pastel on tinted wove paper

33 x 50.8cm

The artist collection

1988

self-portrait

Oil on canvas

Nude self-portrait from Back

Oil on canvas

65 x 45.5 cm

Private collection

1986

Glass Door with Self-portrait

65 × 81 cm

Oil on canvas

1987

self-portrait with Hand on Head

Pastel on velvet paper

22.8 x 33.7 cm

Private collection

1986

Nude Self-Portrait

Pastel on wove paper

51 x 31.5 cm

Doron Sebbag, Tel Aviv

1990

Ipsius

Oil on canvas

55 x 46 cm

Courtesy Marlborough Fine Art, London

1993

Pause at the Easel

Temple of Zeus at Oil on canvas

81 x 65 cm

Joseph D Hackmey, Tel Aviv

1990

Painting on a Hot Day

Oil on canvas

73 x 60 cm

Courtesy Marlborough Fine Art, London

1991

Self Portrait in studio

Oil on canvas

2001

Self-Portrait in Raincoat Peering

70.5 x 55.5 cm

pastel on emery paper

Gilbert de Botton, Saint/ Moritz

1988

风景作品

View of Tel Aviv

21.2 x 29.2 cm

Brush and sumi ink on paper

1970

View of Central Park South

Brush and suml Ink on Dutch heavy wovepaper

71.1 × 62.9 cm

Henry Welt, New York

I979

SOHO in Winter

48.5 x 33.5 cm

Soft graphite on grey laid paper

Private collection

I984

Mount Zion at Dusk

25.4 x 35.5 cm

Waatercolour on Fabriano wove papet

Private collection

1987

Cypresses

Watercolour on heavy wove paper

25.4 x 17.7 cm

Private collection

1990

View of the aueustines'garden

Pastel on Whatman paper

51 x 33 cm

Mr and Mrs Eugene Istomin, Washington, DC

1990

静物作品

Sams Spoon

Oil on canvas

38 x 46 cm

Doron Sebbag, Tel Aviv

1990

Two pears

Print on paper

Two Baguettes

Pastel on Whatman paper

25 x 73 cm

Tel Aviv Museum of Art

1990

Vine Peaches

Pastel on velvet paper

25 x 32.4 cm

Private collection

I984

Two apples and three pears on a Covered Sideboard

73 x 60 cm

Oil on canvas

1973

Pears

Oil on canvas

38 x 46 cm

Private collection, New York

1974

Corn

Pastel on emery paper

22.7 x 51cm

Private collection

1988

Potatoes

Oil on canvas

46 X 38 cm

The Duke of Beaufort. London

1989

Leeks in Green Wrappings

Oil on canvas

38 x 46 cm

Doron Sebbag, Tel Aviv

1991

Peonies

Oil on canvas

73 × 60 cm

Private collection

1991

Roses

Pastel on wove paper

42.7 x 47.5 cm

Crosby Kemper, Kansas City, Mo

1990

Left hand

Watercolour on wove paper

23.5 × 24.5 cm

Private collection

1975

Still Lffe with Blue Napkin

65 x 45.5 cm

Oil on canvas

Private collection

1953

Tangerines with Blue Napkin

Pastel on coated Arches paper

16 × 50 cm

Private collection

1986

White shirt

Oil on canvas

65 × 46 cm

Michael Gleeson.White, Sydney

1985

Three Shirts

Oil on canvas

46 x 65 cm

Bud Garfield, Malibu, CA

1986

Four Hats

81 x 65 cm

Oil on canvas

private collection

1988

Towels and Sheets

Oil on canvas

100 x 65 cm

Private collection

1990

Etching Tools

Oil on canvas

46 x 33 cm

Courtesy Marlborough Fine Art, London

1992

Red and Blue

Oil on canvas

45.7 x 30.5 cm

Joseph Goldyne, San Francisco, CA

1984

A Bulb

oil on canvas

25.5 × 18 cm

Israel Museum, Jerusalem

1976

Teapot and Cup

27 x 35 cm

1979

Tea Time

Oil on canvas

38 × 46 cm

Courtesy Marlborough Fine Art, London

1992

Bag and Umbrella

Oil on canvas

73 x 60 cm

Joseph D Hackmey, Tel Aviv

1991

Parka and Umbrella

Oil on canvas

81 x 100 cm

Courtesy Marlborough Fine Art, London

1993

Morning

Oil on canvas

46 x 38 cm

Private collection

1989

The Typewriter

Oil on canvas

81 x 65 cm

Private collection

I986

Memento S. B

Pastel on grey board

55 x 50.2 cm

Private collection

1991

Hanging Broom

116 × 89 cm

oil on canvas

1974

Red and Black Umbrellas

Oil on canvas

Stool and Shoes

Oil on canvas

73 × 60 cm

Courtesy Marlborough Fine Art, London

1993

Thonet Chair and Carpet

Oil on canvas

100 x 81 cm

Courtesy Marlborough Fine Art, London

1991

Green Sneakers

Oil on canvas

81 x 65 cm

Courtesy Marlborough Fine Art, London

1990

Tubes of paint in their drawer

Pastel on velvet paper

49.9 x 32.9 cm

presented by the Friends of the Tate Gallery

1985

Palettes, Can and Bottle

Pastel on velvet paper

40.8 x 32.7 cm

Private collection

I984

Near the Window

Oil on canvas

130 x 97 cm

Courtesy Marlborough Fine Art, London

1992

Canvas and Tool

Oil on canvas

61 × 50 cm

Courtesy Marlborough Fine Art, London

1986

Corner of my Studo

Oil on canvas

65 × 50 cm

Private collection

I986

场景作品

Studio Window

Oil on canvas

162 X 130 cm

Private collection

1991

Cracks in the wall

Oil on canvas

81 x 65 cm

Private collection, Great Britain

1989

Vanitas

Oil on canvas

146 X 114 cm

Ronald and Vicky Simms, Beverly Hills. CA

I987

Mirror in the Studio

162 x 130 cm

Oil on canvas

Musee Cantini, Marseille

I987

Up to the Loggia

Pastel on heavy grey wove board

65 x 50 cm

Herbert Mines, Hamaroneck, NY

1987

Alba in the Studio

Pastel on grey card

65 x 50. 2 cm

私人收藏Courtesy Marlborough Fine Art, London

1988

View with Refection

146 x 114 cm

Oil on canvas

Private collection

1987

Glass Door and Press

Pastel on hand made paper

50 x 65.7 cm

Private collection

The Square in June

Oil on linen

195 x 130 cm

Hirshhorn Museum and Sculpture Garden

1983

Nine Books

37 x 50 cm

Pastel on velvet paper

Private collection

I986

Pile of Books

Pastel on velvet paper

50 x 65 cm

Private collection

1987

The library

34 x 28 cm

Watercolour on wove paper

1975

Summer Day, Indoors

Oil on canvas

146 x 65 cm

Anne and Martin Peretz, Cambridge, MA

1991

The Librar

114.2 x I46 cm

Oil on canvas

Private collection

I982

人体作品

Nude on a Sheet

Oil on canvas

146 x 114 cm

Mr and Mrs Warren Adler, Jackson Hole, WY

1988

Nude with Black ScarfOil on canvas

I95 x 130 cm

Musee des Beaux.Arts. Dijon

1985

Seated Node with Mirror

Oil on Canvas

81 x 65 cm

Joseph D Hackmey, Tel Aviv

1985

人物作品

玛丽亚·凯瑟琳

他的肖像将现代人的不安用一种简练轻盈的笔法表现出来，如《玛丽亚·凯瑟琳》肖像和大量的自画像。

《玛丽亚·凯瑟琳》是阿利卡最有名的肖像画，人们会对作品的直率感到震惊和恐惧。他的画面涂得很薄，有种“逸笔草草”的感觉，其间透露出一种纯真自然的效果。

在色彩运用上他坚持严格的固有色，他的画室安排也是白色光线，以避免光源色对物体的影响。他的色彩选择也非常简单，调色板上通常只有四种颜色。

在阿利卡的作品中，我们同样可以感受到古典绘画的痕迹，不时可以看出委拉斯开兹、丢勒、凡.爱克和荷兰画派对他的影响。

例如，油画《羞涩》被称为20世纪绘画中最有感触性的裸体，它有着一种纪念碑式的性感与忧伤。

这使得他的绘画具有某种程度上的永恒感，而这一点正是他改为从事写实绘画追求的目的，这也确立了他在西方当代艺术史上的不可替代的地位。

Anne standing in Winter-Coat

64.3 x 49.5 cm

Pastel on tinted wove paper

Veranneman Foundation, Kruishoutem

1988

Marie Catherine

6I x 64.8 cm

Oil on canvas

MNAM, Centre Pompidou, Paris

I982

Anne Hooded

Oil on canvas

27 × 34.8 cm

Private collection

1974

The Letter

Oil on canvas

46 × 38 cm

Private collection

1989

Elizabeth, the Queen Mother

Oil on canvas

49.7 x 50.3 cm

1983

Patricia Wheatley

Oil on canvas

73 x 60 cm

Private collection

1992

Anne in summer, Jerusalem

Oil on canvas

46 x 61 cm

Private collection

1980

Nehama

Oil on canvas

45.8 x 41 cm

Private collection

1988

Anne in Orange and Blue

Oil on canvas

100 x 81 cm

Lerner and Lerner. Madrid

I988

Anne in Red and BlacK

Oil on canvas

100 x 81 cm

Courtesy Marlborough Fine Art, London

1993

Come back from the ophthalmology clinic

146 × 114 cm

oil on canvas

1979

Anne Seated

146 × 114 cm

oil on canvas

1975

Private collection

Portrait of Leon Wieseltier

81 x 100 cm

Oil on canvas

Courtesy Marlborough Fine Art, London

1992

Portrait of Aleco Goulandris

Oil on canvas

81 × 65 cm

Private collection

1989

Alexander Frederick douglas-home,

Lord Home of the Hirsel

91.5 x 71.3 cm

Oil on canvas

1988

Scottish National Portrait Gallery, Edinburgh

Ludovic Kennedy and Moira Shearer

79.5 x 99.5 cm

Oil on canvas

Scottish National Portrait Gallery, Edin burgh

1993

素描作品

Au loin un oiseau

27 x 24 cm

plates printed on paper

1973

Self-Portrait with Open Mouth

Sugar-lift aquatint

44.5 x 33.3 cm

The Metropolitan Museum of Art

1973

Mirror with Self-Portrait and Press

42.5 x 28.9 cm

The Metropolitan Museum of Art

1971

Samuel Beckett in profile

23.6 x 17.5 cm

on Richard de Bas wove paper

1970

R.B. Kitaj

Colored soft-ground etching

38.1 x 45.1 cm

The Metropolitan Museum of Art

1983

Baby Crying

Brush and sumi ink on coated canvas/ paper

240 × 295 cm

Private collection

1969

Samuel Beckett leaning

Brush and india ink on paper

27.8 × 20.7 cm

Private collection

1967

Before the Bath

Brush and sumi ink on Japan hand made paper

99.5 x 62 cm

The artist collection

1988

H M Queen Elizabeth, the Queen Mother

30.5 x 22 cm

Hard graphite on Whatman paper

1983

View of Central Park South

71.1 × 62.9 cm

Brush and sumi ink on Dutch heavy wovepaper

Henry Welt, New York

I979

Anne in a Ruffled Blouse

Brush and sumi ink on paper

32.4 × 24.9 cm

私人收藏

1969

David Sylvester Seated

Sugar-lift aquatint

39.3 x 30 cm

The Metropolitan Museum of Art

1973

Anne from Back

Brush and sumi ink on Bristol paper

39.7 × 30 cm

Private collection

1972

Samuel Beckett with Cigar

Brush and sumi ink on coated canvas/ paper

35.1 × 27 cm

MNAM, Centre Pompidou, Paris

1970

Anne sitting on a Winter Night

Brush and sumi ink on coated canvas/ paper

35.1 × 27 cm

Private collection

1970

Self-portrait in two Mirrors

Brush and sumi ink on coated canvas/ paper

24.1 × 33.1 cm

Mr and Mrs Eugene Istomin, Washington, DC

1969

Alba and Noga

graphite on Japan laid paper

62 X 99 cm

Private collection

1989

Shoko and Shiji Takashina

Charcoal on tinted wove paper

44.5 × 65.3 cm

Private collection

1988

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