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　　日本攝影大師植田正治回顧展

　　主辦：三影堂攝影藝術中心

　　協辦：植田正治事務所

　　藝術總監：榮榮&映裏

　　策展人：佐藤正子 (Contact)

　　展覽設計：大內修

　　對談：2018年9月23日 15:00

　　開幕：2018年9月23日 16:30

　　展期：2018年9月23日 – 11月25日

　　地點：三影堂攝影藝術中心

　　（北京市朝陽區草場地155A）

　　贊助：日本國際交流基金會

　　支持：日本駐華大使館、全日空航空公司、浙江攝影出版社

　　“

　　不論清醒或沉於睡夢，我都處於對攝影的思索之中。

　　—植田正治

　　”

　　三影堂攝影藝術中心即將榮幸呈現“植田正治回顧展”。本次展覽將是這位日本大師級攝影藝術家在中國的首次大規模回顧型展覽。展出從其早期至後期的141件珍貴原作，涵蓋經典代表作品“沙丘”系列，以及備受國內外廣泛讚譽的時尚攝影等多個階段系列作品。

　　植田正治（1913-2000），因在自己家鄉鳥取縣拍攝的傑作“沙丘”系列而聞名於世，在日本乃至世界攝影史上留下了重要的印記。儘管當時的日本的攝影正處於現代主義的潮流當中，植田正治卻畢生都在自己的家鄉--山陰，只拍攝他真正事物，也從未將自己定位於某種思潮。他的現代主義表現手法是獨一無二的，時至今日“植田調”都受到海內外的高度評價。

　　受青少年時期西方前衛藝術的影響，植田正治一邊在家鄉經營着照相館，一邊始終保持着如攝影愛好者般的激情和自由精神。無論是他在自家附近的沙丘上將其家人和密友塑造成棋子一般的“導演式攝影”，還是他從70歲開始拍攝的以“沙丘”系列爲代表的時尚和商業作品，都不斷構築起他自己的攝影世界，受到了跨越了時代和世代的人們的讚譽。植田最鍾愛的主題是他出生和成長的山陰縣的風土和事物。但他的作品有着超越風土人情和時代的普遍性，總能帶給觀衆新的驚喜和深深的感動。

　　植田正治簡介

　　1913年生於日本鳥取縣，1930年代在家鄉成立了一個攝影館並以此開啓了其攝影生涯。植田以在鳥取拍攝的“沙丘劇院”等擺拍作品聞名，隨後在20世紀50年代向現實主義傾斜，成爲戰後一代前衛攝影的代表人物，並因《童歷》(1971年出版)等攝影集備受讚譽。

　　1972年，植田正治首次到歐洲旅行，並出版了“無聲記憶”（音のない記憶）。他分別於1978年和1987年被邀請參加了阿爾勒國際攝影節(les Rencontres d’Arles)。他的作品得到了國外，特別是歐洲收藏家和評論家的極高的評價。1995年，位於鳥取縣的植田正治攝影美術館正式開館。1996年，榮獲法國藝術與文學勳章。2000 年，植田正治逝世，享年87歲。2013年，日本東京攝影美術館舉辦“紀念植田正治誕辰100週年”大型回顧展。

　　部分展覽作品

　　Featured Works

　　爸爸，媽媽和孩子們，1949

　　Papa, Mama and Children(1949)

　　Kako與花，1949

　　Kako and a Flower (1949)

　　妻子在的沙丘風景，1950

　　Scenery of the dune with my wife (1950)

　　稻草人，1950

　　Bird scarer (1950)

　　選自《小傳記》，1975

　　From Little biography (1975)

　　選自《白風》系列，1981

　　From the seriesWhite wind(1981)

　　選自《沙丘》系列，1983，

　　From the seriesDune(1983)

　　GITANES, 1992

　　Organizer:Three Shadows Photography Art Centre

　　Co-organizer: Shoji Ueda Office

　　Art Directors: RongRong&inri

　　Curator:Masako Sato (contact)

　　Exhibition Designer: Osamu Ouchi

　　Talk:15:00, September 23rd, 2018

　　Opening: 16:30, September 23rd, 2018

　　Duration: September 23rd – November 25th, 2018 (10:00-18:00 Closed on Mondays)

　　Location: Three Shadows Photography Art Centre

　　(155A Caochangdi, Chaoyang District, Beijing 100015)

　　Sponsor: The Japan Foundation

　　Supporter: Embassy of Japan in China, ANA (All Nippon Airways)

　　“

　　Awake or asleep, I always found myself thinking about photography.

　　– Shoji Ueda

　　”

　　Three Shadows Photography Art Centre is proud to present the first extended retrospective exhibition of Shoji in China, featuring 141 early and late works ranging from the sand dunes series (which has become a by word for Shoji) to his fashion photographs that helped trigger a reappraisal of his achievement.

　　Shoji Ueda (1913-2000), well known for his masterpieces set in the sand dunes around his native Tottori, left a major mark on history of photography in not only his home country but also abroad. Even as realism began to take precedence in Japan’s major urban centers, he remained in his hometown Sanin all his life –not aligning himself with any particular movement and pursuing simply what pleased him. His strain of modernism was so particular that the resulting so-called “Ueda-cho (Ueda style)” still generates fresh acclaim to this day.

　　Influencedby the Western avant-garde during his adolescence, Shoji maintained the passionate, uninhibited spirit of an amateur while he ran a photography center in his hometown. His intricate compositions – prime examples of staged photography – featured his family and his close friends in his neighborhood sand dunes arranged as if chess pieces. The photographic worlds expressed in fashion and commercial works continues to attract fresh acclaim, as typified by “Mode in Dunes”,a series of photographs he started to undertake at the age of 70. While he liked to photograph landscapes and things mostly in Sanin, where he was brought up, the universality has made an impression across time and culture.

　　About Shoji Ueda

　　Shoji Ueda, born in Tottori Prefecture, Japan in 1913, started his career as a photographer by contributing to early photo magazines in the 1930s. He cemented his reputation with intricately staged photographs in the Tottori sand dunes before tilting towards realism during the 1950s and continuing to garner acclaim with photo books like “Children the Year Around,” published in 1971. In1972 he traveled Europe for the first time and published “Oto no nai kioku.” He was invited to participate in Les Rencontres d’Arles in 1978 and 1987. His works are highly rated abroad and he steadily built a reputation among European collectors and critics in particular. In 1996, he received the Ordre des Arts et des Lettres of France. Shoji died at 87 in 2000.