摘要：Barry Underwood得益於早期的戲劇訓練，攝影經驗與建築經歷，他探索北美各處風景，在面對一片風景時總能沉浸其中，然後再回游出來，接着用LED燈與發光材料進行遊刃有餘的創作，製造出抽象而如夢境般的圖景。Barry Underwood’s work can be found in the collections of The Cleveland Museum of Art (OH), Elton John Photography Collection (Atlanta, GA), The Museum of Fine Arts (Houston), TIAA-CREFF (New York City), and the Rockefeller Family Art Collection (Petaluma, CA), among several others. Barry’s work has also been reviewed in numerous publications, including Color Magazine, the London Times, Spectrum Magazine, Photo+ (Seoul), Picnic Magazine (Tel Aviv), and Vision Magazine (Beijing), as well as featured in Real Simple Magazine. He has been awarded the Creative Workforce Fellowship through the Community Partnership for Arts and Culture (OH), The Cleveland Arts Prize for Visual Arts (OH), and the Ohio Arts Council Individual Excellence Award (OH). Barry Underwood received his Masters in Photography from Cranbrook Academy of Art.。

把日常而瑣碎的風景變身爲獨特的超現實場景

景觀燈裝置 / Barry Underwood

抽象而如夢境般的圖景

藝術家Barry Underwood利用LED燈把日常而瑣碎的風景變身爲獨特的超現實場景。燈光讓畫面具有非一般的張力。

Barry Underwood得益於早期的戲劇訓練，攝影經驗與建築經歷，他探索北美各處風景，在面對一片風景時總能沉浸其中，然後再回游出來，接着用LED燈與發光材料進行遊刃有餘的創作，製造出抽象而如夢境般的圖景。

安裝往往持續數天，爲了達到光效果也需要對影片進行長時間的曝光。利用光，與大自然合作，是這個創作中見功力之處，Barry Underwood提到每次攝影都是他與自然以及歷史的對話。

2014年，Barry Underwood在紐約百老匯的Sous Les Etoiles畫廊舉行一個名爲“場景”的個展，展覽時間持續到

Ammo

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Drawing from his early theatrical training, and influenced by historical methods of staged photography and constructed set design, Barry Underwood seeks to transform ordinary, everyday vistas into unique, and often surreal, experiences. “This tension between the familiar and the surreal gives the images a strange power,” Underwood writes. “I fashion these scenes by immersing myself in a place, instinctively reading the landscape, and then altering the site through LED lights, luminescent material, and other photographic effects. In the final prints, lights and alterations appear as intrusions, transforming landscapes into abstract images.”

Both Underwood’s installation process, which uses actual structures and may take several days to complete, and his documentation, employing long exposure times to harness the area’s ambient light, rely on the artist’s ability to harmoniously collaborate with nature as much as disrupt it. “Each photographic image is a dialogue—the result of my direct encounter with nature and history,” the artist explains. “Curiosity about ecological and social history of specific places drives my work.”

Aurora Green

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Edge Water

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Ferns for Francesca

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Fish II

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Norquay

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Orange

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Outcrop

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Rodeo Beach

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Trace Blue

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Tree Mac Dowell

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Wendover

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Headlands II

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Miwoktrail

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His photographs are made in various locations around North America, with many on artist residencies. He has been an artist-in-residence at The Banff Center for the Arts (Canada), I-Park Foundation (CT), Headlands Center for the Arts (CA), The Center for Land Use Interpretation (UT), and The MacDowell Colony (NH).

Barry Underwood’s work can be found in the collections of The Cleveland Museum of Art (OH), Elton John Photography Collection (Atlanta, GA), The Museum of Fine Arts (Houston), TIAA-CREFF (New York City), and the Rockefeller Family Art Collection (Petaluma, CA), among several others. Barry’s work has also been reviewed in numerous publications, including Color Magazine, the London Times, Spectrum Magazine, Photo+ (Seoul), Picnic Magazine (Tel Aviv), and Vision Magazine (Beijing), as well as featured in Real Simple Magazine. He has been awarded the Creative Workforce Fellowship through the Community Partnership for Arts and Culture (OH), The Cleveland Arts Prize for Visual Arts (OH), and the Ohio Arts Council Individual Excellence Award (OH). Barry Underwood received his Masters in Photography from Cranbrook Academy of Art.

來源：谷德設計網

https://www.gooood.cn/landscape-light-by-barry.htm