大衆藝術網：他將分裂主義與象徵主義風格相結合 —— 意大利畫家 Giovanni Segantini 繪畫作品

大衆藝術網已經走進第四個年頭，

感謝不離不棄、棄而走之的新老朋友們，

愛也好，嫌也好，

藝術本身就是一種信仰、教育和奉獻，

是人生的一種責任，

是人生的一門功課，

是人生的精神世界，

是人生的共同財富。

當物質的飢餓得不到滿足時，

那藝術就什麼都不是，

當你不想打開自家的門戶時，

那世界就什麼都不是。

當你只想活在自己的世界裏，

那他人就什麼都不是。

放眼世界，人類就是一個家庭，

不分你我，共同創造，共同分享。

世上有一羣人造福着人類的精神世界，

讓我們不寂寞、不平庸、不飢餓。

大衆藝術網盡藝術的天職，

胸懷世界，爲您開啓世界之窗，

爲藝術執着而奮鬥的藝術家們點個贊！

感謝一路有您，

大衆藝術網不會孤單，纔有動力！

—— 大衆藝術網 / 應爲平（旅美油畫家、瓷畫家）

Giovanni Segantini

關於畫家

Giovanni Segantini（1858年1月15日 - 1899年9月28日）一位意大利畫家，以其阿爾卑斯山的大型田園風光而聞名。他是19世紀後期歐洲最著名的藝術家之一，他的畫作被大型博物館收藏。在後來的生活中，他將分裂主義的繪畫風格與象徵主義的自然形象相結合。他在生命的最後階段活躍在瑞士。

（注：轉載自藝術家原文，由網絡自行翻譯爲中文）

Giovanni Battista Emanuele Maria Segatini [sic] was born at Arco in Trentino, which was then part of the County of Tyrol in the Austro-Hungarian Empire. He later changed his family name by adding another "n" after the "a". He was the second child of Agostino Segatini (1802–1866) and Margherita de Giradi (1828–1865). His older brother, Lodovico, died in a fire the year Giovanni was born. During the first seven years of his life his father, who was a tradesman, traveled extensively while looking for work. Except for a six-month period in 1864 when Agostino returned to Trentino, Segantini spent his early years with his mother, who experienced severe depression due to the death of Lodovico. These years were marked by poverty, hunger and limited education due to his mother's inability to cope.

In the spring of 1865 his mother died after spending the past seven years in increasingly poor health. His father left Giovanni under the care of Irene, his second child from a previous marriage, and again traveled in search of work. He died a year later without returning home and leaving his family nothing. Without money from her father, Irene lived in extreme poverty. She was forced to spend most of her time working menial jobs while leaving Giovanni to subsist on his own.

Irene hoped to improve her life by moving to Milan, and in late 1865 she submitted an application to relinquish Austrian citizenship for both her brother and her. She either misunderstood the process or simply did not have enough time to follow through, and although their Austrian citizenship was revoked she neglected to apply for Italian citizenship. As a result, both Segantini and his sister remained stateless for the rest of their lives. After he became famous Switzerland offered him citizenship on more than one occasion, but he refused in spite of many hardships, saying Italy was his true homeland. After his death the Swiss government successfully awarded him citizenship.

At age seven Segantini ran away and was later found living on the streets of Milan. The police committed him to the Marchiondi Reformatory, where he learned basic cobbling skills but little else. For much of his early life he could barely read or write; he finally learned both skills when he was in his mid-30s. Fortunately a chaplain at the reformatory noticed that he could draw quite well, and he encouraged this talent in an attempt to lift his self-esteem.

In 1873 Segantini's half-brother Napoleon claimed him from the reformatory, and for the next year Segantini lived with Napoleon in Trentino. Napoleon ran a photography studio, and Segantini learned the basics of this relatively new art form while working there with his half-brother. He would later use photography to record scenes that he incorporated into his painting.

（注：轉載藝術家原文，請自行翻譯中文）

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