中间美术馆近日刚刚开幕的新展“想象·主流价值”展期跨度四个月，在此期间我们将组织数场演讲、讨论或工作坊活动，邀请多位来自不同文化领域的实践者和学者来同大家一起分享各自的实践。通过这一系列活动，我们将展开和深化展览提出的问题，为更为清晰地凝视今天艺术和文艺所处的情境提供一点角度和思考。今日推送的是2018年11月、12月的公教活动日程安排总览。活动均对公众开放，参与者可免费参观展览及领取导览册！

2018年12月1日

December 1, 2018

14：00-15：30

主题演讲丨《学人》丛刊创立前后

演讲者：汪晖

Keynote Speech丨On the Founding of The Scholar Journal

Lecturer: Wang Hui

《学人》在90年代初的创办体现了一部分启蒙知识分子学术化和知识化的转型。他们不满于80年代以来新启蒙运动在社会中的空泛呼吁，检讨没有学术根基的思想呼声，因而转向更加纯粹的学术，从公共知识分子转向某一领域专家型的知识人。本次讲座，汪晖教授将从今天的角度，回溯《学人》创办前后中国知识界的情况和面临的挑战。

The establishment of The Scholar in the early 1990s has embodied an academic and intellectual transformation of some enlightened intellectuals. Discontent with the empty social cries in the New Enlightenment movement since the 1980s, they reflected upon the metaphysical slogans that were lacking in academic profundity, and as a result, they turned to more realistic scholarly studies to transform from public intellectuals to expert scholars in specific fields. In the talk, Professor Wang Hui will track back to the time when Scholar was founded, highlighting the challenge of China's intellcutual world from today's perspective.

简介\ BIO

汪晖，清华大学中文系与历史系双聘教授，首批文科资深教授，长江学者，以及清华大学人文与社会科学高等研究所所长。曾任加州大学洛杉矶分校博士后研究、美国哈佛大学、哥伦比亚大学、华盛顿大学访问学者，柏林高等研究所、海德堡大学研究员。清华大学首批文科资深教授。汪晖主要中文著作有：《去政治化的政治：短二十世纪的终结与九十年代》（北京：三联书店，2008）、《别求新声：汪晖访谈录》（北京：北京大学出版社，2009）、《现代中国思想的兴起》（四卷，北京：三联书店，2004）、《死火重温》（北京：人民文学出版社，2000）、《反抗绝望：鲁迅及其〈呐喊〉〈彷徨〉研究》（台北：久大文化股份有限公司，1990）等。

Wang Hui, Changjiang Scholar, director of Tsinghua Institute for Advanced Study in Humanities and Social Sciences, Professor of Literature and History at School of Humanities, Tsinghua University. He has served as postdoctoral researcher at the University of California, Los Angeles, visiting scholar at Harvard University, Columbia University, and the University of Washington, researcher at the Berlin Institute for Advanced Studies, and Heidelberg University. His main Chinese works are, Depoliticized Politics: The End of the Short Twentieth Century and the 1990 (Beijing: SDX Joint Publishing Company, 2008), Seeking for New Ideas: An Interview with Wang Hui (Beijing: Peking University Press, 2009), The Rise of Modern Chinese Thought (Four Volumes, Beijing: SDX Joint Publishing Company, 2004), SIHUOCHONGWEN (essays collection) (Beijing: People's Literature Publishing House, 2000), Resisting Despair: Research of Lu Xun and His Call to Arms and Wandering (Taipei: Jiuda Culture Co., Ltd., 1990), etc.

2018年12月15日

December 15, 2018

14：00-17：00

放映+演讲丨特别项目：家政作业

演讲者：江琼珠，莫昭如，鲍蔼伦，荣念曾

Screening+Artists Talk丨Special Project: Homework

Lecturers: Kong King-chu, Mok Chiu-yu, Ellen Pau, Danny Yung

作为此次展览的特别项目，“家政作业”以放映和讨论的工作坊形式发生，邀请几位来自香港的艺术家从电影、艺术和新闻的语言出发，回顾和观看艺术在激变中的社会和文艺思潮里发出的声音。他们的艺术生涯可以追溯至20世纪七八十年代，彼时“左翼”“回归”和新一代香港人的声音逐渐开始融合、激荡。

As a special program of the exhibition, “Homework ” is composed of screenings, discussions and workshops. Several Hong Kong artists will be invited to review and contemplate on the voices that art has made in the transitions of society and artistic trend, from such perspectives as film, visual art and news. Their artistic careers can be traced back to the 1970s and 1980s, when the voices of the “Left”, “Returning” and the new generation of Hongkongers started to surge and integrate.

    简介\ BIOS

莫昭如，1947年生于香港。电影导演、作家、翻译家和教育家，自六十年代末起参与社会运动，亦是《70年代》双周刊创办人之一。他亦一直积极推动民众剧场，并长期为伤残人士发声。

江琼珠，资深记者。著有《路上见》、《非常送汤任务》、《回到一个叫家的地方》、《从三斤半菜开始：重拾久违的真味与真情：社区为本有机农业的感人故事》、《护老心事》、《凤凰展翅重生：助残疾香港复康五十载》、《斜路上，玛利湾：一间女童院舍的四十年》等。近年热衷于拍摄纪录片，作品包括《革命女》，《我们总是读西西》，《几乎是，革命》，《甘浩望巡礼之年》等。

荣念曾（Danny Yung），1943年生于上海，五岁时随家人移居香港。十七岁负笈美国，先后毕业于美国加州大学柏克莱分校建筑系和哥伦比亚大学研究所，分别获得建筑学士及城市设计及城市规划硕士学位。回港后积极投入漫画、剧场、电影、视觉艺术、装置艺术等艺术创作，于1982年成立前卫剧团进念二十面体，被称为香港的“文化教父”。

鲍蔼伦，1961年生于香港，是活跃于本地和国际媒体艺术圈的录像艺术家，亦为媒体艺术策展人。1986年与友人共同创办独立艺术机构“录影太奇”（Videotage），90年代共同创办“微波艺术节”。2000年，她以作品《循环电影》参加了第四十九届威尼斯双年展。她的著作《大大话话鲍蔼伦》于2004年在香港及纽约面世。2007年鲍蔼伦获邀担任德国超媒体艺术节评审。

Born in Hong Kong in 1947, Mok Chiu-yu is a film director, writer, translator and educator. He has been participated in many social movements since the end of 1960s. He is also one of the founders of the biweekly magazine The 70's. Additionally, he takes an active role in promoting community theatre and fighting the human rights for the disabled.

Kong King-chuis a senior journalist who has published books including, See You on the Road, Return to a Place Named Home, Minds about Elderly Caring，Touching Stories about Organic Agriculture, Fifty years of Helping the Disabled in HK, On the Ramp, Marycove: Forty Years of a Girls’ School. In the Recent years, she has been devoting to documentary filming. Her works include We Always Read Xi Xi, Almost a Revolution, Franco Mella, etc.

Known as the godfather of Hong Kong culture, Danny Yung was born in Shanghai in 1943. He moved to Hong Kong with his family when he was five years old. At the age of 17, he began his study at the Department of Architecture at the UC Berkeley and then the University of Colombia, received an undergraduate degree in architecture and a postgraduate degree in urban design and urban planning. After returning to Hong Kong, he has been engaged in various artistic practices including cartoon, theatre, film, visual art, etc. In 1982, he founded the groundbeaking experimental theatre group called “Zuni Icosahedron”.

Born in 1961 in Hong Kong, Ellen Pau is a video artist, active in both domestic and international art circles. She is also a curator of new media art. In 1986, she co-founded Videotage, a new media art institution undertaking the mission of developing new media art and boosting the communication of artists in Hong Kong. She is also one of the founders of Microwave International New Media Arts Festival. In 2000, her videoRecycling Cinema was selected and exhibited in the 49th Venice Biennial. Her book Dye-a-di-a-logue with Ellen Pau was published in Hong Kong and New York in 2004. Last year she was invited to be a member of jury for Transmediale – a German festival for art and digital culture.

2018年12月22日

December 22, 2018

14：00-17：00

工作坊丨灵氛与遗骸：文学经典的重读与再写

演讲者：戴锦华，孙柏，滕威，赵柔柔

Workshop丨Aura and Wreckage: Rereading and Rewriting of Literary Classics

Lecturers: Dai Jinhua, Sun Bai, Teng Wei, Zhao Rourou

本次工作坊邀请几位文学研究者，以若干十九世纪欧洲文学经典的改编为切入，包括影视、舞台剧（话剧、音乐剧）、动漫、同人等形式，探究今天的世界艺术/经典作为“灵氛与残骸”，具备什么样的社会、文化与审美意义。

The workshop invites several literature researchers to share their observation on the adaption of literary classics from the 19th Century. Together with the workshop participants, they will walk through a diversity of adaption, such as film, teleplay, theatre, anime and Fan Art, discussing the social, cultural and aesthetic significance of the world art/classics today.

简介\ BIOS

戴锦华，北京人。任教于北京大学比较文学与比较文化研究所。北京大学人文特聘教授。

孙柏，文学博士，现在中国人民大学文学院任教，副教授。主要研究方向有：中西方现代戏剧、中国电影史、西方电影理论、文化研究。已出版专著《丑角的复活——西方戏剧文化的价值重估》（上海：学林出版社，2002年），《摆渡的场景：从文学到电影》（北京：中国电影出版社，2012年），《〈哈姆雷特〉的影舞编年》（与戴锦华教授合著，上海人民出版社，2014年）。发表戏剧、电影研究论文数十篇。除学院体制内的研究与教学工作外，亦从事剧场艺术实践，北京流火帐篷剧社成员。

滕威，北京大学比较文学博士，现任教于华南师范大学文学院，教授，华南师范大学微文化研究中心主任，2013-2014年度哈佛-燕京访问学者。主要研究领域为：西班牙语文学与文化，拉美研究，翻译史研究，文化研究。教学科研之外，积极投入人文启蒙与基础教育实践，为广州“麦青书房”联合创始人。

赵柔柔，博士，毕业于北京大学中国语言文学系，比较文学与世界文学专业。现从教于中央民族大学，研究领域为文化研究，英美小说研究，少数民族文学研究。已有译作两部，《居伊·德波》(与崔晓红合译），《道德与哲学的修辞术》(与李松睿合译)。

Dai Jinhua, lives and works in Beijing.  She is Distinguished Professor of Humanities, Peking University, Director of the Film and Culture Research Centre of Peking University.

Sun Bai, Ph.D of Comparative Literature, Peking University, is currently an associate professor at the School of Liberal Arts, Renmin University of China. His main research areas are: Drama and Film Studies, Cultural Studies.  The monographs he has published  include:  The Resurrection  of  The Clowns  -  Reassessment  of  the  Value  of  Western  Drama  Culture  (Shanghai:  Xuelin  Press,  2002),  A  Ferry Scene:  From  Literature  to  Film  (Beijing:  China  Film  Press,  2012)  , The  Chronicle of Cinematic Hamlet (co-authored  with  Professor  Dai  Jinhua,  Shanghai  People's  Publishing  House,  2014).  As  a  member  of  the  Beijing  Liuhuo Tent  Theatre,  he  is  also  engaged  in  the  practice  of  theatre  art.

Teng Wei, Ph.D of Comparative Literature, Peking University, is currently a professor at the School of Literature, South China Normal University, director of the Center for Contemporary Cultural Studies of South China Normal University, and the Harvard-Yenching Institute Visiting Scholar of 2013-2014. Her main research areas are: Hispanic Literature and Culture, Latin American Studies, Translation History, and Cultural studies. In addition to teaching and research, she actively engaged in humanistic elementary education, and is the co-founder of Magichanging Academy.

Dr. Zhao Rourou, graduated from the Department of Chinese Language and Literature of Peking University, majoring in comparative literature and world literature. She teaches at the Minzu University of China. Her research focuses on cultural studies, English and American novel studies, and minority literature studies. She has published two translated works Guy Debord (translated with Cui Xiaohong), Rhetoric of Morality and Philosophy (translated with Li Songrui).

本文原载于《北京中间美术馆》，感谢公众号授权海螺转载。

本期编辑：

陆建宇